Archive for the ‘Royce Da 5’9″’ Category

Re: Deadly Medley Video

September 23, 2010

Pretty standard video, as you say. But, I prefer a simpler video like this, compared to some over-the-top, or over-produced, nonsense.

As for the song, I was into from the beginning. Production is perfect for a braggadocio posse cut, and for the most part, each emcees comes with it. Certainly can’t hate Black Milk’s verse – he makes an MJ and Stevie reference.

And while both of us, independently mind you, thought Elzhi sounded off, the tail end of his verse is pretty strong.

Not the strongest track on the album, which isn’t a slight as AOTY is pretty consistent from front to back.

Speaking of Thriller, I like when artists aim for the 40-50 minute mark for album length. I’ve actually read some refer to it as the Thriller rule. I think it makes for a more consistent listen, and limits the opportunity for weak tracks. And as Black Milk’s production sounds more developed these days, e.g. beats sound more layered, and more interesting, I wonder if he focused on packing a more meaningful punch in a tighter package.

Deadly Medley Video

September 22, 2010

Okay, the song is growing on me. Pretty standard hip-hop video, but it does the trick. Any thoughts, Pete?

Quick Scan on “Album of the Year”

September 19, 2010

This is an excellent effort by Black Milk, props to Pete for picking it… I write here to offer a few of my initial thoughts after the first couple listens.

In general:

Lots of guitars, power keys, and multi-part harmony hooks give the album that psychedelic hip-rock feel. Other than one track with Mr. Porter on a hook, the collabs detract from the album.  It has a tremendous upbeat pace, while maintaining a mellow mood. Live instrumentation adds a soulfulness to most of the tracks, as many of them strip down to their component instrumental parts in extended interludes at the end of several tracks.

High points:

Distortion” The beat is one of the toughest on an album full of bangers, and Black is at once hype and introspective in recounting the passing of close friend Baatin.

Closed Chapter (Feat. Mr. Porter)” That high-pitched, short guitar hook gives this track a sentimental feel as Black muses about his motivations in life and work.

Disappointments:

Deadly Medley (Feat. Royce 5’9″ & Elzhi)” I was expecting a lot more here. The beat is ridiculously great, and with three of Detroit’s best emcees on one track, I expected this to be a highlight–that was not so. Royce uses this stutter flow that just sounds off-beat to me, and no killer punchlines; and Elzhi’s voice doesn’t sound like him at all.

Over Again” I’m so-so on this track. I like everything about it except the hook. I’m not crazy about Monica Blaire’s voice, but I’m still getting to know her material, which you can find collected at her MySpace page.