RE: “Talent”

by

Not only does Madlib make crazy beats (plenty of hot beats out there) but his willingness to experiment – to take an accepted sound, and totally flip it around, interpolating seemingly incongruent samples with synths, and singers who can’t really sing – some how, through Madlib’s ears, sounds colorful and deep.

Kyle’s certainly right in that Madlib isn’t easily digested to all listeners. But I think across his discography, his respect and knowledge of music are evident – and I think it’s those qualities that make this project, and others, e.g. Quas, YNQ, brilliant. When I listen to much of his work, I don’t hear arrogance; but I do hear somebody who has the freedom to do as he wishes with his sound, and it is refreshing to hear an artist utilize the full spectrum of his artistic freedom. As it is, Dudley Perkins is a nice fit for Madlib’s production because his sound and style are as incongruent as some of the other ingredients Madlib uses…

You won’t find too many bigger Madlib advocates than me. He’s one of those rare contemporary musicians that is timeless, in that, you could take him and place him in any decade be it 20’s, 40’s, or 60’s (or anywhere in between) and he’d make hot shit. He’s got that ear and desire to push music boundaries, a la John Coltrane. Some jazz critics (back late 50’s) suggested that Coltrane was too unbridled and his sound was incongruent; he was constantly experimenting with sounds, e.g. trying different reeds, biting on them, etc.

In the words of Miles Davis (of John Coltrane), Madlib’s also a “bad mother fucker.”

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